• PROJECTS
    • No Man is an Island
    • Voices in the Wilderness
    • 130 Commissioners Street
    • Reckoning
    • The California Dream
    • Cousin, We Have Grown Up
    • Elisabeth
  • EXHBITIONS
    • How to Build a River (2022)
    • Rediscovering Fisherman's Island (2021)
    • A Mobile Landscape (2021)
    • Framework (2020)
    • Voices (Amsterdam West Public Installation) (2020)
    • Voices (Museum of Fine Arts, Nizhny Tagil, RUSSIA - 2020)
    • Voices (Space Place, Nizhny Tagil, RUSSIA, 2019)
    • Voices (Cortona on the Move, Italy 2019)
    • Voices (IIC, Toronto 2019)
    • Voices (Ryerson Image Centre, Toronto 2018)
    • Just Beyond the Trail: Finding the Florida Everglades (2017)
    • Romanticism Now (2014)
    • Cousin, We Have Grown Up (2013)
  • BOOKS
    • Voices in the Wilderness (book dummy, 2019)
  • COMMISSIONED
    • Just Beyond the Trail
    • Hilroy Feature
    • Car Stills
  • CINEMATOGRAPHY
  • Bio
  • CV
  • News
  • Menu

RYAN WALKER

  • PROJECTS
    • No Man is an Island
    • Voices in the Wilderness
    • 130 Commissioners Street
    • Reckoning
    • The California Dream
    • Cousin, We Have Grown Up
    • Elisabeth
  • EXHBITIONS
    • How to Build a River (2022)
    • Rediscovering Fisherman's Island (2021)
    • A Mobile Landscape (2021)
    • Framework (2020)
    • Voices (Amsterdam West Public Installation) (2020)
    • Voices (Museum of Fine Arts, Nizhny Tagil, RUSSIA - 2020)
    • Voices (Space Place, Nizhny Tagil, RUSSIA, 2019)
    • Voices (Cortona on the Move, Italy 2019)
    • Voices (IIC, Toronto 2019)
    • Voices (Ryerson Image Centre, Toronto 2018)
    • Just Beyond the Trail: Finding the Florida Everglades (2017)
    • Romanticism Now (2014)
    • Cousin, We Have Grown Up (2013)
  • BOOKS
    • Voices in the Wilderness (book dummy, 2019)
  • COMMISSIONED
    • Just Beyond the Trail
    • Hilroy Feature
    • Car Stills
  • CINEMATOGRAPHY
  • Bio
  • CV
  • News

Michael Belmore for Vie des Arts magazine

May 01, 2021

Last month I had the pleasure of spending some time with Canadian sculptor Michael Belmore for Vie des Art magazine. Belmore’s work and processes speak about the environment, about land, about water, and what it is to be Anishinaabe.

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